Appropriately marking the 150th anniversary of the Emancipation Proclamation, two of the season’s Hollywood blockbusters, Quentin Taratino’s “Django Unchained” and Steven Spielberg’s “Lincoln,” are about, respectively, slavery and its abolition. And while they could not be more different in style, tone, and story, the two films are instructively complementary in reminding us of an uncomfortable truth about our nation’s past: that underpinning slavery at the local, state, and national levels was the law, including the highest law of the land, the U.S. Constitution.
At one level “Django,” set in 1858 on the eve of the Civil War, can be viewed as simply a prelude to “Lincoln.” It captures essential realities of slavery, whose permanent demise “Lincoln,” set in 1865 near war’s end, reminds us came through hard-fought pragmatic politics that produced the Thirteenth Amendment to the Constitution.
